Realtime Casting founder, Andrew Peters, talks about the right voice-over gear
When I first started recording at home it was a new “thing” and no one seemed to know much about what was needed or considered the “right voice-over gear”. I was just working in a small closet. This environment was fine for certain jobs and auditions, but not anything requiring a clean sound.
Like so many in the past 15 years, I went and bought a mic, sound card, and program for my laptop. It worked okay, but it was far from perfect. I knew what sounded perfect from my experience in recording studios. What recording at home did do though, after a bit of tweaking, was enable me to find clients who were happy with receiving these “not what I considered perfect” audio files. As my client base grew and the work became larger and more diverse, I started to get more global work, with southeast Asia and the Middle East being key areas for me.
These clients were more discerning and wanted a better quality sound, however. I had to re-evaluate my set up.
Taking my sound to the next level
The first thing I had to do was build a studio. I employed an audio expert to help find the right space. We then worked on what materials to use for the studio. This information is quite lengthy and complex and will be covered in another blog post. Once I had the right materials, the room was treated acoustically to make sure we could get the best sound possible.
Next, I needed to upgrade my computer. As people discussed “PC or MAC?”, I went and had one custom built for me. This was through recommendations from professional studios who were using PC. I used an Australian based company AAVIM Technology, builders of amazing machines with more power than I will ever use; a rock solid computer.
I then asked another audio friend for assistance. I explained to him the basics of what I needed and he sent me to an audio supplier to buy gear. I came away with a Microtech Gefell M930 mic, a Grace M101 preamplifier, and a Lynx sound card. This combination gave me the ability to deliver super clean and flat audio sound “as is” instead of colored, top of the line quality, all perfect for working with an audio engineer. After adding Source Connect and ISDN, I was able to market myself as an official remote voice-over talent with a professional studio.
As time passes, and I work with more and more producers, my studio continues to evolve with the demands of my client base. This, of course, requires evolving with the right voice-over gear to use to cover all kinds of delivery from promos, imaging, commercials, to narration. These include a Rode NTG3 shotgun mic, a Microtech Gefell M930 and M92.1 tube mic, a Neve 2254r compressor, a Grace M101 preamp, Neve 1073n preamp with EQ.
However, it is not the standard kit. Most studios have a U87, Neumann, Sennheiser 416, Avalon 737 or M5. I can deliver voice tracks, either super flat or with some treatment, and because I have more mics and outboard equipment.
In future Blogs I will go through the gear I use here and why I chose it. I will be more specific about the value of each. One thing to remember, if you are not aware of the type of sound you consider perfect or have never done home recording before: Get advice from an audio engineer. They can help set everything up correctly and show you what does what.
No point wasting your money buying a Porsche, if you cannot even drive yet!